Share / Print

Paul Hardart

Paul Hardart

Joined Stern 2017

Leonard N. Stern School of Business
Tisch Hall
40 West Fourth Street, 902
New York, NY 10012



Paul Hardart joined New York University Stern School of Business as a Clinical Professor of Marketing in July 2017.

Professor Hardart is a partner in the online storytelling platform Witnify, which captures and curates first-person accounts of important world events. He has produced a number of critically acclaimed feature films and documentaries, including Mary and Max, Annie Leibovitz: Life Through a Lens and Before the Rains. He is an active speaker at conferences and panels related to media and technology.

Before joining NYU Stern, Professor Hardart was the founding director of the Graduate Program in Media Management at The New School. He has guest lectured at the University of California Los Angeles, The American Film Institute, Columbia University, Temple University and the University of California at San Diego. He founded and ran Universal Focus, the independent film label of Universal Pictures. During his tenure there, he oversaw the release of such films as Being John Malkovich, Pitch Black, Nurse Betty and Billy Elliot. He also created Universal Pictures’ library management program, overseeing the restoration and re-issue of Alfred Hitchcock’s Rear Window and the re-edit of Orson Welles’s Touch of Evil. Prior to Universal Focus, he oversaw strategic planning for Universal Pictures, which included launching new businesses and helping shape the Studio’s long-term strategy. He has also held senior positions at Warner Brothers and Turner Broadcasting and began his career at ABC Sports, CNBC and The Newark Star-Ledger.

Professor Hardart received his B.A. in English from the College of the Holy Cross and his M.B.A. from the J.L. Kellogg School of Graduate Management at Northwestern University.

Academic Background

Northwestern University, Kellogg School of Graduate Management

B.A., English
College of the Holy Cross

Related News & Research

Professor Paul Hardart suggests that COVID-19 presents an opportunity for event producers to accelerate the use of technology while providing a way for buyers, sellers and retailers to congregate digitally

Professor Paul Hardart shares why he believes that filmmakers and television producers are well-suited to adapt to "new normal" regulations once the industry reopens for business

Professor Paul Hardart is interviewed for a segment examining the road to recovery for New York City’s museums, galleries and other cultural institutions

Professor Paul Hardart explains how The New York Times' decision to make most of its coronavirus coverage free to access has put its journalism front-and-center for a potentially new audience

Professor Paul Hardart notes that media companies must adapt to changes in the marketplace to survive in the current economic climate

Professor Paul Hardart weighs in on the future of short-form mobile video platform Quibi

Professor Paul Hardart weighs in on efforts made by the Academy of Motion Picture Arts and Sciences (AMPAS) to promote diversity and inclusion

Professor Paul Hardart offers insights on how streaming services effectively use Super Bowl advertising to market their services

Professor Paul Hardart is quoted in a story examining how streaming services measure key metrics of success

Professor Paul Hardart offers his perspective on Netflix's recent purchase of the Paris Theatre cinema in New York City

Professor Paul Hardart explains how Netflix's swift response to enactment of Georgia's Heartbeat Bill impacted the entertainment industry

Professor Paul Hardart is interviewed for a story on viewer brand awareness among streaming services

Professor Paul Hardart offers insights on celebrity shout-out startup Cameo's business model and prospects for growth

Professor Paul Hardart discusses how companies use surprise drops as a marketing tactic

Professor Paul Hardart comments on Netflix's second-quarter results

Professor Paul Hardart offers insight into why Marvel's re-release of Avengers: Endgame is beneficial to the brand and outweighs any incremental marketing costs

Professor Paul Hardart discusses the business impact Georgia's recently-enacted Heartbeat Bill will have on entertainment companies

Professor Paul Hardart discusses the growing market for advertisers in online sports streaming

Professor Paul Hardart discusses how Disney+'s low price point may change over time

Professor Paul Hardart discusses the role Big Tech will play in the future of gaming

Areas of Expertise


  • Film Marketing and Distribution
  • Film and Television Production
  • Social Media
  • Strategic Planning